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SoundEagle in Art, Science, Observation, Research, Development, Biomimicry, Biomimetics and Biomorphism

SoundEagle in Art, Science, Observation, Research, Development, Biomimicry, Biomimetics and Biomorphism

Sweeping all-or-none, black-and-white judgements are characteristic of totalitarian attitudes and have no place in science, whose very nature is inferential and judicial.

The medium of interspecies quotation involving extraspecific sounds and gestures presents a fascinating way for both human and nonhuman quoters to enlarge or enrich their repertoires and vocabularies well beyond the normal confines of communicating in their intraspecies native tongues. It is thus to be expected that imitating and quoting the sounds (via onomatopoeia or musical rendition), movements, colours, shapes, actions and behaviours of nonhumans in mythologies, literary genres, poems, narratives, rituals, dances, songs, music, visual arts, performing arts and applied arts have long been present in virtually every human civilization, and lately in modern societies via biomimetics or biomimicry for solving complex human problems and inventing novel engineering solutions, by emulating the models, systems and elements of nature in new technologies inspired by biological solutions at macro and nanoscales, such as animal-like locomotion, biofeedback, self-healing abilities, environmental resistance, exposure tolerance, hydrophobicity, self-assembly, optics, photonics, solar energy, permaculture and bioremediation.

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